We use cookies to enhance site navigation, analyze site usage, and for our marketing efforts. By accepting, you consent to our Privacy Policy You may change your settings at any time by clicking "Cookie Consent" at the bottom of every page.


These technologies are required to activate the essential functions of our range of services.


These cookies collect information about the use of the website so that its content and functionality can be improved in order to increase the attractiveness of the website. These cookies may be set by third party providers whose services our website uses. These cookies are only set and used with your express prior consent.


These cookies are set by our advertising partners on our website and can be used to create a profile of your interests and show you relevant advertising on other websites (across websites).

Kirsty Mitchell


©Kirsty Mitchell_The Ghost Swift

On 7 December, Fotografiska will open the doors to Kirsty Mitchell’s fairytale world in this winter’s major exhibition Wonderland – a dream world to be enchanted and embraced by during the darkest months of the year. The magical creations and woodland sets of Wonderland both move and fascinate. Mitchell embarked on the intensive 5-year project in the summer of 2009, a few months after her mother had tragically died of cancer in 2008. It became her escape from a painful reality as she sought her way back to the fairy tale world they shared throughout her childhood. In the woods around her home, the characters from Mitchell’s imagination were given free roam in front of the camera. A journey through a healing grief in a fairytale kingdom…

© The Secret Locked In The Roots Of A Kingdom
© The Secret Locked In The Roots Of A Kingdom

brightly colored firework

The story of Kirsty Mitchell and her Wonderland project is much like a fairy tale. A multifaceted fairy tale in many respects.

“For the first time, the exhibition will include all 74 photographs featured in the Wonderland The exhibition is a true fairy tale experience – like a brightly colored firework display where magic and reality meet on the journey we call life,” says exhibition producer Lisa Hydén at Fotografiska.

It all begins with a young and successful fashion designer who studied art history and had a very close and loving relationship with her mother, an English teacher whose great passion was literature and books, a joy which she would constantly share by reading aloud to her daughter.

When the mother is diagnosed with a brain tumor, the daughter’s world comes crashing down and in her grief, she turns to the ancient woodlands that surround her home, deep in the English countryside. With incredible attention to detail, she plans and prepares her photos by designing the most spectacular costumes and props, some of which take months to complete. Each piece is a tribute to her mother, forged from the daughter’s faded childhood memories of the books they once shared, mixed with the sadness of her adult grief and her new found spiritual connection with nature.

Together with a small team of models, a makeup artist and her husband, out in the woods she then builds stunningly beautiful sets for each photograph. Each filled with drama and characters that capture the imagination evoking a strong sense of recognition, despite being entirely new creations from her own mind. As part of the project, the daughter starts to write a deeply emotional blog about her grief and the project in the woods, a blog that increasingly attracts more attention from people who can understand to her experiences and relate to what she is going through.

The story behind Mitchell’s Wonderland book, which will now also take the form of an exhibition at Fotografiska, is as magical and spectacular as her woodland photographs.

“We felt that somehow my mother was with us, so it was important that we always went to the woods as planned, regardless of the weather. So we hauled these creations through snowstorms and downpours to let that which was supposed to happen actually happen. ”
...The overall feeling of this tribute to my mother was that it just needed to be done. It was like escaping to a place that felt deeply meaningful, in the midst of everything else, says Mitchell.

so much creativity trapped inside that needs to get out

The ambition was to create a book, a book of the highest quality to reflect the great, heartfelt love that existed between mother and daughter, and it was to reach a large audience. Several publishers made contact as the project became increasingly widely known, but all involved compromises.

“At that point, I was contacted by a big name in the industry who suggested that I should self-publish and that it could be financed by crowdfunding. Then we’d be able to get enough money together to use the best designers and printers. So we set it up, my husband and I. Once we’d registered the project on Kickstarter, we were really on edge, wondering if anyone would be interested. Then it started ticking upwards, again and again, because it turned out that so many people wanted to get involved and contribute,” Mitchell explains.

The book achieved its funding goal within 24 hours and after 28 days ‘Wonderland’ became the most funded photobook in crowdfunding history raising £334,000, with the first edition selling out completely within 2 months. And the result – a photo book unlike any other of the absolute highest quality in all respects from the paper to the design. A book that does justice to the photographs and this daughter’s tribute to her mother. Everything planned and managed down to the last detail by a heavily pregnant Mitchell, who eventually gave birth to her first child on Christmas Eve 2015, just 2 days after the book was delivered to its supporters all over the world.

But the drama of this story doesn’t end there. Eight months later, new mother Mitchell was diagnosed with breast cancer whilst in Italy printing, the Second Edition of her book and the next chapter of the challenges of life unfolded.

“I just focused solely on getting through it and put all my energy into my recovery. Now, two years later when I’ve been given the all-clear, I have so much creativity trapped inside that needs to get out. I know how much healing is to be found in expressing your innermost feelings, whether through words or a creative process, and how rewarding it is to share this process with others.”